Daniel Davies – Signals

Description

Label: Sacred Bones Records – SBR-242
Format: Vinyl, LP, Album, Limited Edition, Smoke
Country: US
Released: 28 Feb 2020
Genre: Electronic, Rock
Style: Experimental, Post Rock, Synthwave

Tracklist:
A1 Last Days
Bass – John Spiker

A2 One Hundred Years
Percussion – Matt Flynn
Producer [Produced By] – Daniel Davies, Sebastian Robertson

A3 Origins

A4 Destructive Field
Written-By – Daniel Davies, John Carpenter

B1 Beyond Megalith Illumination

B2 Possessor
Producer [Produced By] – Daniel Davies, Sebastian Robertson

B3 Phantom Waltz
Drums – Scott Seiver

B4 Visible

Companies:
Pressed By – GZ Media – 200945E

Credits:
Artwork – Jesse Draxler
Booklet Editor, Design – Sophie Gransard
Lacquer Cut By – Saff
Mixed By – John Spiker
Written-By, Performer [Performed By] – Daniel Davies

Notes:
Includes 8.5x11" booklet featuring artwork by Jesse Draxler

Whether scoring a film or making a solo album, Daniel Davies thinks cinematically. Images and story – on a movie screen, on a canvas, or flashing through his mind – inform the shape of his compositions and the sounds he uses to bring them to life. For Signals, his first solo record for Sacred Bones, the inspiration for his musical narration was a collaboration with visual artist Jesse Draxler, whose otherworldly mixed media works grace the cover and the booklet.

“I had an instant connection to Jesse’s art,” Davies explains. “One of the main concepts for this album was working with the feeling of uncertainty. Jesse’s art illustrates that perfectly with his disruptive shapes. At first, they are foreign to the landscapes they live in, but over time we become used to them, we adjust. The foreign objects force us to evolve, to accept and live with the uncertainty they create.”

Using Draxler’s images as his jumping off point, Davies created eight richly textured compositions that created a soundtrack for the unsettling world of the artwork. “Musically, I wanted to capture that same contrast — melodies evolving out of drones, haunting beds of tension with beautiful shimmering melodies laid above. What were once conflicting emotions became harmonious.”

As the songs move through the landscape, Davies calls on whatever instrumentation he needs to serve their journey. He utilizes the warbling synths and slicing guitar that have characterized his soundtrack work, but he’s also preternaturally at ease when he busts out a harpsichord and a vocal synth on lead single “Phantom Waltz.” On “Destructive Field,” he leaves space for his Halloween collaborator John Carpenter to lay down his signature sound. With the exception of that passage, all the music on the record is recorded by Davies himself.

While the results indeed feel cinematic, Davies is liberated by the absence of a film to score: “While scoring a movie, I serve the director’s vision and focus on telling a specific story. When working on an album, I’m free to create my own narrative and be more experimental.”

That freedom is evident in the many sumptuous details on Signals. It’s an album with a lot to discover, and repeat listens will reveal an inviting – if a bit unnerving – world that you’ll want to spend all day in
Box 2

Barcode and Other Identifiers:
Barcode (Stickered): 8 43563 12380 5
Matrix / Runout (Side A): SBR242-A SAFF 200945E1/A1
Matrix / Runout (Side B): SBR242-B SAFF 200945E2/A1